In summer of 2017, I worked for Professor Susan Harvey as a research assistant on her book project, Women’s Singing, Women’s Stories in Ancient Syriac Christianity. One of my main tasks was to read articles and provide short, critical abstracts for her. I’ve made these abstracts available here, accessible under the category “Critical abstracts — late antiquity”:
- Critical Abstracts: Overview
In summer of 2017, I worked for Professor Susan Harvey as a research assistant on her book project, Women’s Singing, Women’s Stories in Ancient Syriac Christianity. One of my main tasks was to read articles and provide short, critical abstracts for her. I’ve made these abstracts available ...
- Upson-Saia Critical Abstract
In this chapter, Upson-Saia investigates wound metaphors in the ascetic context. She argues that, ...
- Rosenwein Critical Abstract — Worrying about Emotions in History
In this article, Rosenwein examines the historiographyof emotions throughout Western history. She describes the first calls for a history of emotions and the theoretical perspective that emerged based ...
- Rosenwein Critical Abstract — Problems and Methods
In this paper, Rosenwein argues for a history of emotions based on “emotional communities.” She begins by surveying the scientific literature on emotions to discuss their ...
- Lunsford (ed.) Critical Abstracts
Murphy, foreword, ix–xi.
In this brief foreword, Murphy lays out the purpose of Reclaiming Rhetorica. He emphasizes that the book does not aim to argue ...
- Norman Critical Abstract
In this article, Norman examines the sexual elements of Methodius’ writings. He sees Methodius’ use of sexual symbolism as part of the ...
- Krawiec Critical Abstract — Monastic Families
In this article, Krawiec analyzes four monastic texts to argue that an attitude of “profamilialism” existed alongside the familiar view of antifamilialism. ...
- Krawiec Critical Abstract
In this chapter, Krawiec analyses Palladius’ Lausiac History to argue that Melania “is a ...
- König Critical Abstract
In this chapter, König explores the genre of sympotic writing in late antiquity. With the exception of ...
- Hinterberger Critical Abstract
Note: For some quotations in this paper, I was unable to identify the page number because the top of the page was cut off in scanning.
In this article, Hahn discusses the various sources of ...
- Hackett Critical Abstract
Hackett, Rosalind. “Sound, Music, and the Study of Religion.” Temenos 48, no. 1 (2012): 11–27.
In this article, Hackett discusses “historical biases and methodological challenges” (11) in studying religion and sound/music. She notes that her perspective is rooted in the turn to materiality and ...
- Giordano Critical Abstract
In this paper, Giordano investigates women and religion in Ancient Greece by examining curses, supplications, and prayers. She draws on epic and tragedy as “pivotal ...
- Giordana-Zecharya Critical Abstract
In this article, Giordano-Zecharya analyses religious themes in Seven Against Thebes, the fifth-century tragedy by Aeschylus. She argues that Eteocles and the Chorus ...
- Garland Critical Abstract
In this article, Garland describes family life in Byzantine monasteries, with a particular focus ...
- Gador-Whyte Critical Abstract
Gador-Whyte begins with an intriguing tale of Romanos and his muse: ...
- Fontaine Critical Abstract
In this article, Fontaine investigates how women’s lived experience became part of the literary forms, content, and theology ...
- Faulkner Critical Abstract — Gods in Homeric Hymns
- Andrew Faulkner — Female Voice of Justice
In this article, Faulkner discusses the female in Aratus’ Phaenomena. In the middle of discussing Greek constellations, Aratus refers to the Maiden, who he ...
- Erol Critical Abstract — Musical Question
In this article, Erol demonstrates various complex “positions and discourses” (133) of cultural identity in the Greek Orthodox ...
- Erol Critical Abstract — Musicological Debates
In this chapter, Erol continues her investigation of musicological literature in ...
- Erol Critical Abstract — Music and the Nation
In this article, Erol adopts a comparative approach to Ottoman music culture in order to ...
- Doerfler Critical Abstract
Doerfler begins in medias res, by analyzing an episode from the Vita Melaniae Iunioris. When a ...
- Cribiore Critical Abstract
In this article, Cribiore investigates “the influence of an orphan state on ...
- Clark Critical Abstract
In this article, Clark traces the “ideology of antifamilialism” (358) in Christian antiquity. She draws on a variety of sources to parse the argumentative and interpretive ...
- Brown Critical Abstract
Brown, Amelia. “Psalmody and Socrates: Female Literacy in the Byzantine Empire.” In Questions of Gender in Byzantine Society, edited by Bronwen Neil and Lynda Garland, 57–76. Farnham: Ashgate, 2013.
In this paper, Brown investigates the presence and importance of literate women in the Byzantine Empire. ...
- Bril Critical Abstract
Bril, Alexander. “Plato and the Sympotic Form in the Symposium of St Methodius of Olympus.” Zeitschrift für Antikes Christentum 9, no. 2 (2006): 279–302.
In this article, Bril examines Methodius’ Symposium in light of the Platonic work it imitates. While Plato’s theme is eros, ...
- Barry Critical Abstract
Barry, Jennifer. “Diagnosing Heresy: Ps.-Martyrius’s Funerary Speech for John Chrysostom.” Journal of Early Christian Studies 24, no. 3 (2016): 395–418.
In this article, Barry examines the Funerary Speech for John Chrysostom by Pseudo-Martyrius. She argues that Ps.-Martyrius uses medical language to make the case ...
- Barrett Critical Abstract
Barrett, Richard. “Byzantine Chant, Authenticity and Identity: Musicological Historiography through the Eyes of Folklore.” Greek Orthodox Theological Review 55, no. 1–4 (2010): 181–98.
In this paper, Barrett contributes to the discussion of Byzantine music and its relationships with identity, nationalism, and politics. He approaches ...